The seventh edition of the leading international contemporary art fair, sponsored by Deutsche Bank, takes place in London from 15-18 October 2009
165 of the world’s most exciting contemporary art galleries, representing 30 countries, will present new work by over 1,000 of the world’s most innovative artists at Frieze Art Fair.
A fresh and exciting addition for 2009 will be the first presentation of Frame, a new section within the fair dedicated to solo artist presentations. Frame will show 29 young galleries from around the world that have been in existence for less than six years. The galleries’ selection has been advised by curators Daniel Baumann and Sarah McCrory.
Taking place in the beautiful setting of Regent’s Park in a large temporary structure of approximately 21,000 square metres, Frieze Art Fair 2009 is designed for the second year running by renowned architects Caruso St John.
Frieze Projects presents art that regards the particular circumstances of Frieze Art Fair as an opportunity to create work that could not exist elsewhere. This year’s seven projects create aesthetic opportunity out of the uncertainty that has become the hallmark of our troubled times; whether taking the form of grand architectural obstruction or finding new ways of protesting, authenticating or motivating our relationship to the objects we make, look at and buy. Mike Bouchet will provide a motivational speaker for the populace of Frieze Art Fair; UK-based collaborators Kim Coleman & Jenny Hogarth will create a seamless projection of stage-managed and live events filmed at the fair, transforming the exposition into a mise-en-scene featuring unwitting visitors, gallerists and art fair workers; working alongside Resonance104.4fm radio Ruth Ewan will broadcast the entire contents of A Jukebox of People Trying to Change the World, started in 2003, the artist’s collection of around 1,500 politically motivated or idealistic songs now lasts for the exact duration of the Fair; Ryan Gander will set up an (almost) instant photo studio to make portraits of visitors to the fair looking at an artwork of their choice. The portrait will be printed immediately, given to the subjects and a copy will be hung in an installation along the entrance corridor to the fair; Per-Oskar Leu will arrange an impossible event at the fair – a book signing by Franz Kafka, 85 years after his death. Since none of Kafka’s novels were published during his lifetime, this book signing will be his first; Monika Sosnowska will present a major structural intervention in which a large, heavy object crashes into the roof of the fair. Taking the form of a scale model of the infamous Palace of Culture in Warsaw – a ‘gift’ to the Polish people from the USSR – Sosnowska’s project is a kind of cultural meteorite, the imposition of one cultural edifice onto another; Stephanie Syjuco will set up a parasitic workshop in which a small group of artists will make bootleg copies of other works exhibited in the fair. The artists will use basic and inexpensive materials and will work in a gallery stand at the fair in full view of visitors. The copies will be displayed in an adjacent gallery stand.